FFSFF
OFFICIAL
FFSFF
DOCUMENT
Document 3 of 3

Entry Regulations

Part III — Timing, Required Elements & Production Documents

Continued from Parts I and II. This document exists because a similarly detailed set of rules exists for a real 48-hour film competition, and we felt strongly that we should not be out-regulated by anyone.
Article 21

Filmmaking weekend hours

All creative work must occur between 7:00 PM Friday and a deadline we will not disclose until you have already missed it. Entrants who ask "when exactly is Sunday" will have their Sunday moved.

Article 22

Creative process

No creativity of any kind may occur before the festival begins. Entrants suspected of having had an idea in advance will be disqualified and their idea reassigned to someone who arrived with nothing.

Article 23

Permitted preparation

Prior to the weekend, entrants may organise crew, secure equipment, and rehearse extensively, provided they can convincingly deny having rehearsed when asked by a jury member holding a stopwatch.

Article 24

Use of artificial intelligence

Generative AI may not be used to write, shoot, score, or edit your film, except in the "Most Ridiculous AI-Generated Film" and "Longest AI Film From the Shortest Prompt" categories, where it is not only permitted but the entire point. Confusing the two submission streams is grounds for automatic entry into both.

Article 25

Required elements

Each team will be assigned, at random, a genre they do not understand, a prop they cannot locate, and a line of dialogue that makes no sense in any context, including the one they are required to use it in.

Article 26

Music rights

All music must be either composed by the entrant or licensed at a cost exceeding the entrant's total production budget. Song parodies are strictly prohibited, regardless of how funny the entrant personally finds them, and they will still be asked to perform it once for the jury, off the record.

Article 27

Landmark requirement

Films shot in a location hosting FFSFF for the first time must feature a recognisable local landmark. Films shot anywhere else must simply state, in the credits, that a landmark was present and was very moving.

Article 28

Animal safety

No animal may be harmed during filming. Animals may, however, be cast, directed, given top billing, and subsequently blamed in the director's statement for a disappointing final cut.

Article 29

Credits and slates

Every film must open with 5 seconds of black, 5 seconds of a title card, and 5 seconds of the entrant quietly reconsidering their life choices. This sequence may not be shortened, skipped, or replaced with something more interesting.

Article 30

Production documents and releases

Every cast and crew member must sign a release form. The form does not need to be legally binding, coherent, or written in a language anyone present can read, but it must be signed, ideally in front of a witness who will later deny witnessing anything.

← Part II: Conduct & Disqualification Back to festival home →
Modelled, at a respectful distance, on rules used by a real and much better-organised 48-hour film competition. Any resemblance to functioning administration is coincidental.